W. H. Auden

O Tell Me The Truth About Love
by W. H. Auden

Some say that love's a little boy,
And some say it's a bird,
Some say it makes the world go round,
And some say that's absurd,
And when I asked the man next-door,
Who looked as if he knew,
His wife got very cross indeed,
And said it wouldn't do.

Does it look like a pair of pajamas,
Or the ham in a temperance hotel?
Does it's odour remind one of llamas,
Or has it a comforting smell?
Is it prickly to touch as a hedge is,
Or soft as eiderdown fluff?
Is it sharp or quite smooth at the edges?
O tell me the truth about love.

Our history books refer to it
In cryptic little notes,
It's quite a common topic on
The Transatlantic boats;
I've found the subject mentioned in
Accounts of suicides,
And even seen it scribbled on
The backs of railway-guides.

Does it howl like a hungry Alsatian,
Or boom like a military band?
Could one give a first-rate imitation
On a saw or a Steinway Grand?
Is its singing at parties a riot?
Does it only like Classical stuff?
Will it stop when one wants to be quiet?
O tell me the truth about love.

I looked inside the summer-house;
it wasn't ever there:
I tried the Thames at Maidenhead,
And Brighton's bracing air.
I don't know what the blackbird sang,
Or what the tulip said;
But it wasn't in the chicken-run,
Or underneath the bed.

Can it pull extraordinary faces?
Is it usually sick on a swing?
Does it spend all it's time at the races,
Or fiddling with pieces of string?
Has it views of it's own about money?
Does it think Patriotism enough?
Are its stories vulgar but funny?
O tell me the truth about love.

When it comes, will it come without warning
Just as I'm picking my nose?
Will it knock on my door in the morning,
Or tread in the bus on my shoes?
Will it come like a change in the weather?
Will its greeting be courteous or rough?
Will it alter my life altogether?
O tell me the truth about love.

Miller Williams

The Ways We Touch
by Miller Williams

Have compassion for everyone you meet,
even if they don't want it.
What appears bad manners, an ill temper or cynicism
is always a sign of things no ears have heard,
no eyes have seen.
You do not know what wars are going on down there where the spirit meets the bone.

Rudyard Kipling

If
by Rudyard Kipling

If you can keep your head when all about you
Are losing theirs and blaming it on you,
If you can trust yourself when all men doubt you,
But make allowance for their doubting too;
If you can wait and not be tired by waiting,
Or being lied about, don't deal in lies,
Or being hated don't give way to hating,
And yet don't look too good, nor talk too wise:

If you can dream—and not make dreams your master;
If you can think—and not make thoughts your aim;
If you can meet with Triumph and Disaster
And treat those two impostors just the same;
If you can bear to hear the truth you've spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to, broken,
And stoop and build 'em up with worn-out tools:

If you can make one heap of all your winnings
And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings
And never breathe a word about your loss;
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the Will which says to them: "Hold on!"

If you can talk with crowds and keep your virtue,
Or walk with Kings—nor lose the common touch,
If neither foes nor loving friends can hurt you,
If all men count with you, but none too much;
If you can fill the unforgiving minute
With sixty seconds' worth of distance run,
Yours is the Earth and everything that's in it,
And—which is more—you'll be a Man, my son!

N. Scott Momaday

Nous avons vu la mer
by N. Scott Momaday

We have been lovers,
you and I.
We have been alive
in the clear mornings of Genesis;
in the afternoons,
among the prisms of the air,
our hands have shaped perfect silences.
We have seen the sea;
wonder is well known to us.

Mary Stewart Hammond

The Big Fish Story
by Mary Stewart Hammond

Late fall and not a soul around for miles.
Just me and my man. And those scallopers
trolling a few hundred feet offshore I'm pointing to
say no, non, nein, nyet, nej,
in every language including body English,
to his idea that we take off all our clothes
smack in the middle of the lawn
in broad daylight and go swimming!
This is the line he throws me: "But, sweetheart,
the young have given up scalloping. Those
are all old men out there. Their eyesight
is terrible." which explains why
I'm naked in the water off the coast
of Massachusetts on the fourteenth of October
and loving it, the water still summer warm,
feeling like silk, like the feel of his flesh
drawing over my skin when we're landed
on a bed, so I swim off out of his reach
lolling and rolling, diving and surfacing,
floating on my back for his still good eyes.
I know what he has in mind and what
I have in mind is to play him for a while
for that line I swallowed, delay the moment
I'll do a slow crawl over to him,
wrap my legs around his waist, and
reel him in – just the fish he was after.

Wislawa Szymborska

A Tale Begun
by Wislawa Szymborska

The world is never ready
for the birth of a child.

Our ships are not yet back from Winnland.
We still have to get over the S. Gothard pass.
We've got to outwit the watchmen on the desert of Thor,
fight our way through the sewers to Warsaw's center,
gain access to King Harald the Butterpat,
and wait until the downfall of Minister Fouche.
Only in Acapulco
can we begin anew.

We've run out of bandages,
matches, hydraulic presses, arguments, and water.
We haven't got the trucks, we haven't got the Minghs' support.
This skinny horse won't be enough to bribe the sheriff.
No news so far about the Tartars' captives.
We'll need a warmer cave for winter
and someone who can speak Harari.

We don't know whom to trust in Nineveh,
what conditions the Prince-Cardinal will decree,
which names Beria has still got inside his files.
They say Karol the Hammer strikes tomorrow at dawn.
In this situation let's appease Cheops,
report ourselves of our own free will,
change faiths,
pretend to be friends with the Doge
and say that we've got nothing to do with the Kwabe tribe.

Time to light the fires.
Let's send a cable to grandma in Zabierzow.
Let's untie the knots in the yurt's leather straps.

May delivery be easy,
may our child grow and be well.
Let him be happy from time to time
and leap over abysses.
Let his heart have strength to endure
and his mind be awake and reach far.
But not so far

that it sees into the future.
Spare him
that one gift,
0 heavenly powers.

Jorge Luis Borges

There are no moral or intellectual merits. Homer composed the Odyssey; if we postulate an infinite period of time, with infinite circumstances and changes, the impossible thing is not to compose the Odyssey, at least once.
The Immortal, 1949

Vladimir Nabokov

For me a work of fiction exists only insofar as it affords me what I shall bluntly call aesthetic bliss, that is a sense of being somehow, somewhere, connected with other states of being where art (curiosity, tenderness, kindness, ecstasy) is the norm.
This was included in the 1956 "Afterword" to Lolita which has been used in all later editions.

Unknown

Go lightly, simply.
Too much seriousness clouds the soul.
Just go and follow the flowing moment.
Try not to cling to any experience.
The depths of wonder open of themselves.

Stanley Fish

We can still do all the things we have always done; we can still say that some things are true and others false, and believe it; we can still use words like better and worse and offer justifications for doing so. All we lose (if we have been persuaded by the deconstructive critique, that is) is a certain rationalist faith that there will someday be a final word, a last description that takes the accurate measure of everything. All that will have happened is that one account of what we know and how we know it — one epistemology — has been replaced by another, which means only that in the unlikely event you are asked “What’s your epistemology?” you’ll give a different answer than you would have given before. The world, and you, will go on pretty much in the same old way.
'Think Again: French Theory in America', The New York Times, April 6, 2008
http://fish.blogs.nytimes.com/2008/04/06/french-theory-in-america/

Mabel Lee

Soul Mountain is a literary response to the devastation of the self of the individual by the primitive human urge for the warmth and security of an other, or others, in other words by socialized life. The existence of an other resolves the problem of loneliness but brings with it anxieties for the individual, for inherent in any relationship is, inevitably, some form of power struggle. This is the existential dilemma confronting the individual, in relationships with parents, partners, family, friends and large collective groups. Human history abounds with cases of the individual being induced by force or ideological persuasion to submit to the power of the collective; the surrender of the self to the collective eventually becomes habit, norm convention and tradition, and this phenomenon is not unique to any one culture.
From Mabel Lee’s ‘Introduction’ to Gao Xingjian’s Soul Mountain (2000).

Gao Xingjian

I must get out of this cave. The main peak of the Wuling Range, at the borders of the provinces of Guizhou, Sichuan, Hubei and Hunan, is 3200 meters above sea level. The annual rainfall is more than 3400 points and in one year there are barely one or two days of fine weather. When the wild winds start howling they often reach velocities of more than three hundred kilometers per hour. This is a cold, damp and evil place. I must return to the smoke and fire of the human world to search for sunlight, warmth, happiness and to search for human society to rekindle the noisiness, even if anxiety is regenerated, for that is in fact life in the human world.
Soul Mountain

The perennial and perplexing question of what is most important can be changed to a discussion of what is most authentic and at time can constitute what is known as debate. But let others discuss or debate such matters, they are of no consequence for I who am engrossed in my journey or you who are on your spiritual journey.
Soul Mountain

It is only when people refuse to accept that they shout out, even while not comprehending what they are shouting. Humans are simply such creatures, fettered by perplexities and inflicting anxiety upon themselves.
Soul Mountain

Gabriel García Márquez

Let no one be deceived, no, thinking that what he awaits will last longer than what he has seen.
Memories of My Melancholy Whore

Ecclesiastes

That thing that hath been, it is that which shall be; and that which is done is that which shall be done; and there is no new thing under the sun.
Ecclesiastes 1:9
King James Version

Louise Erdrich

"I have never seen the truth," said Damien, "without crossing my eyes. Life is crazy."
The Last Report on the Miracles at Little No Horse

Barbara Kingsolver

She tried to put aside the misery of thinking too much.
Prodigal Summer

William C. Brann

Too many forget that while the Lord made the world, the devil has been busy ever since putting on the finishing touches. Why, he began on the first woman before she was a week old, and he has been playing schoolmaster to her sons ever since. I confess to a sneaking respect for Satan, for he is pre-eminently a success in his chosen profession. He's playing a desperate game against omnipotent power and is more than holding his own. He sat into the game with a cash capital of one snake; now he's got half the globe grabbed and an option on the other half.
Brann the Iconoclast — Volume 12

John Keats

A man's life of any worth is a continual allegory-- and very few eyes can see the mastery of his life-- a life like the scriptures, figurative.
The Letters of John Keats, 1814-1821

Chad Gifford

Poisonwood
by Chad Gifford

Fire at dawn, blaze on.
Horizon, sun rise.
That che-chem itch.

Thomas Lux

A Little Tooth
by Thomas Lux

Your baby grows a tooth, then two,
and four, and five, then she wants some meat
directly from the bone. It's all

over: she'll learn some words, she'll fall
in love with cretins, dolts, a sweet
talker on his way to jail. And you,

your wife, get old, flyblown, and rue
nothing. You did, you loved, your feet
are sore. It's dusk. Your daughter's tall.

Jane Kenyon

Afternoon in the House
by Jane Kenyon

It's quiet here. The cats
sprawl, each
in a favored place.
The geranium leans this way
to see if I'm writing about her:
head all petals, brown
stalks, and those green fans.
So you see,
I am writing about you.

I turn on the radio. Wrong.
Let's not have any noise
in this room, except
the sound of a voice reading a poem.
The cats request
The Meadow Mouse, by Theodore Roethke.

The house settles down on its haunches
for a doze.
I know you are with me, plants,
and cats---and even so, I'm frightened,
sitting in the middle of perfect
possibility.

Robert Hayden

Those Winter Sundays
by Robert Hayden

Sundays too my father got up early
and put his clothes on in the blueblack cold,
then with cracked hands that ached
from labor in the weekday weather made
banked fires blaze. No one ever thanked him.

I'd wake and hear the cold splintering, breaking.
When the rooms were warm, he'd call,
and slowly I would rise and dress,
fearing the chronic angers of that house,

speaking indifferently to him,
who had driven out the cold
and polished my good shoes as well.
What did I know, what did I know
of love's austere and lonely offices?

Alicia Partnoy

Communication
by Alicia Partnoy

Yo te hablo de poesía
y vos me preguntás
a qué hora comemos.
Lo peor es que
yo también tengo hambre.

I am talking to you about poetry
and you say
when do we eat.
The worst of it is
I’m hungry too.

From Revenge of the Apple/Venganza de la manzana

Barry Goldensohn

The Hundred Yard Dash Man
by Barry Goldensohn

I carried him lightly,
eighty pounds, my height,
half my weight
with enough body sense—
the old track star—
to work in my arms with the balance
of his remaining mass
as easy live weight.
It became his last voyage,
from living room to bed—
this carrying was comfort to both.
Morphine had ended months
of pain—he was genial now,
euphoric, enjoying himself,
with his daughter, and me, his son.
"You must have gotten stronger,"
he said, dismissing the loss
of body with a joke.
He knew he was on his way
out the door, and knowing was easy
though less clear for me
as I laid him down in bed
and laid myself in the twin
cold, rumpled, sour.
When hushed voices woke me
saying "He died last night,"
I couldn't open my eyes
and lay there frozen
among the murmuring women.
He had slipped silently
through the door that now
he left open for me.

Mary Oliver

The Poet with His Face in His Hands
by Mary Oliver

You want to cry aloud for your
mistakes. But to tell the truth the world
doesn't need anymore of that sound.

So if you're going to do it and can't
stop yourself, if your pretty mouth can't
hold it in, at least go by yourself across

the forty fields and the forty dark inclines
of rocks and water to the place where
the falls are flinging out their white sheets

like crazy, and there is a cave behind all that
jubilation and water fun and you can
stand there, under it, and roar all you

want and nothing will be disturbed; you can
drip with despair all afternoon and still,
on a green branch, its wings just lightly touched

by the passing foil of the water, the thrush,
puffing out its spotted breast, will sing
of the perfect, stone-hard beauty of everything.